Love, culture, and Gen Z: Inside Kenya’s podcast revolution

Love, culture, and Gen Z: Inside Kenya’s podcast revolution

A side-by-side image of TMI Podcast hosts Murugi Munyi and Lydia KM, as well as 'So This Is Love' Podcast host Julia Gaitho. PHOTOS | COURTESY

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In 2025, Kenya’s podcast scene is thriving, driven by the country’s growing appetite for on-demand audio. Leading the wave is ‘So This Is Love’, a testament to how deeply intimate storytelling resonates with local audiences.

Following closely are ‘The97sPodcast’ and ‘Mic Cheque Podcast’, both shaping conversations around culture, music, and identity.

‘The Messy Inbetween’ and ‘The Mkurugenzi Podcast’ round out the top shows, each offering distinct perspectives that anchor the space.

Collectively, these five podcasts reflect how the medium has grown from niche content into a mainstream source of entertainment, learning, and community in Kenya.

According to Spotify data, Nairobi continues to dominate as Kenya’s cultural and digital hub, accounting for over 93% of all streams.

Beneath this dominance lies a clear demographic trend: Gen Z listeners (18–24) make up nearly half of the audience, followed by millennials (25–29).

Podcast consumption in Kenya also shows a near-even gender split, with women at 50% and men at 49%—a sign of increasingly balanced engagement.

Society & Culture emerges as the leading genre, reflecting Kenyans’ appetite for authentic stories of love, friendship, identity, and everyday life.

Kenya’s podcasting landscape is not only defined by established giants but fast-rising newcomers are also reshaping the space.

‘That’s What She Said! Podcast,’ ‘Listen, I Have Something To Say Podcast,’ and ‘BTW Podcast’ by Celestine are among the fastest-growing shows, with Celestine’s podcast alone recording growth of over 10,000%.

This rise underscores how fresh voices and bold storytelling can disrupt the industry, proving that new creators can quickly gain traction, spark conversations on overlooked topics, and build highly engaged communities.

Listening trends reveal just how seamlessly podcasts have become part of daily life in Kenya. Peak hours fall between 8 AM and 6 PM, suggesting that podcasts serve as companions on commutes, during work breaks, and while studying.

They’re woven into routines of focus and productivity rather than reserved solely for leisure. The rise of genres like True Crime and Business further reflects this balance, as Kenyans turn to podcasts for both entertainment and information.

Across the country, Nairobi leads the way, with growing audiences in Mombasa, Nakuru, Thika, and Kilifi. Engagement peaks midweek, especially on Tuesdays and Wednesdays.

From established favourites to breakout newcomers, podcasts in Kenya are more than digital audio—they are platforms actively shaping culture.

For creators and brands, the takeaway is clear: tap into this momentum, connect with young audiences, and be part of Kenya’s rapidly rising audio revolution.

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