Blankets & Wine denies receiving any legal summons over September festival after public backlash
Muthoni Ndonga, Creative Director of Blankets & Wine, shares insights on the evolution of the festival during a panel conversation held on October 29, 2025 at the Stakeholder breakfast. PHOTO | COURTESY
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The organisers of Blankets & Wine have clarified that they
have not received any legal summons or formal communication regarding reports
circulating in the media alleging that a complaint had been filed with the
Competition Authority of Kenya (CAK) following its September edition.
This comes after Lawyer Francis Wanjiku previously said he had filed a formal complaint with CAK over the September 28 event held at Kasarani's
Laureate Grounds, citing unfair trade practices and consumer welfare concerns.
Wanjiku said
he wanted the authority to investigate the event under Section 9 of the
Competition Act (Cap. 504), arguing that paying revellers were subjected to a
poorly managed experience that did not match the advertised premium standards
during the event headlined by Afrobeats star Tems.
However, according to the festival’s Creative Director Muthoni
Ndonga, also known as Muthoni Drummer Queen, no such complaint has reached
their desk yet.
“We have officially not received any legal summons. We learned
of this information through the media. Should we receive any notice from the
Authority, we will follow due process,” said Muthoni.
“Our festival is about mission. We are here to build the arts
and culture ecosystem, and that continues to be our focus.”
The clarification came during a stakeholder briefing held
ahead of the festival’s 17th anniversary season. The session brought together
long-standing partners and members of Kenya’s creative community for a
retrospective discussion on the festival’s 16-year journey.
The panel included Head of Festivals Justine Mbugua, Brand
Manager Michelle Njeri, and Communications Manager Diane Ywaya, who reflected
on Blankets & Wine’s evolution from its early editions at Hillcrest, Mamba
Village, and Carnivore to its current multi-stage format and year-round
cultural programming.
Mbugua acknowledged the challenges of running large-scale
cultural events within Kenya’s limited entertainment infrastructure and said
lessons from the September edition had prompted a full internal review.
“Kenyan venues are a blank slate. We are still creating a
space where music and community thrive,” she said.
“We have come a long way in 16 years, but we still have a way
to go. We thank Kenyans for standing with us and look forward to co-creating
the future with them as we turn 17.”
In a previous update to attendees on October 9, Blankets &
Wine had acknowledged delays in bar service, mobile-money congestion, VIP layout challenges, and sound-coverage inconsistencies during the September
event.
They attributed these to “network strain, bottlenecks in
redundancy activation, and sound distribution gaps on the live stage.”
Since then, the organisers say they have initiated a series
of corrective measures ahead of the Kenyan Summer 2025 edition, scheduled for
December 21 at Laureate Gardens, Kasarani.
These include strengthened payment systems, expanded cash and
card options at select bars, re-planned VIP layouts, the onboarding of a
dedicated hospitality manager, upgraded sound distribution, and a new on-site
water and soft-drink distribution model.
“After sixteen years of learning and growth, our aim is not
simply to return, but to raise the bar,” said Muthoni.
“Blankets & Wine has always been about community, culture
and creative expression - for Kenyan Summer 2025, we are ensuring the
infrastructure reflects that ambition.”


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